I am currently in Fukuoka, Japan, at a workshop organized by Tet Yahara, Makiko Mimura, and others that is focused on
developing a Genetic Diversity Report. The basic idea is that biodiversity
science and policy currently focuses on species and their benefits to humanity,
such as ecosystem services. This perspective misses the critical point that genetic
diversity within species is incredibly important to those species and to their
benefits to humanity.
Every day during the workshop, we have been taking the
subway from our hotel to Kyushu University and, every time, we have been saturated
with posters of five young men (boys, really) who are clearly pop stars of some
sort or other. The posters are all over the walls and hang every few meters
along the ceiling of every subway car. During each commute, we probably saw 100
posters (surely a dozen would have sufficient). But what was the message? Who
were these guys and what were we supposed to be buying? Having seen these
posters a few hundred times (so maybe a dozen posters wasn’t sufficient after all), I
started to get curious and looked for a hint on the poster – but everything was
in Japanese, except for two small words “One Direction.” Oh, I had heard of
them – the current generation’s boy band, like N’Sync or The Backstreet Boys or
New Kids on the Block of previous generations. It seems One Direction was to “perform”
soon in Fukuoka – although we couldn’t figure out the date.
One Direction (top) and No Direction (bottom). From left to right: Peter Prentis, Bruce Walsh, Andrew Hendry, George Roderick, and Peter Hollingsworth. (Photo: Chris Kettle.) |
This got me to thinking. One of the key features of boy
bands (and girl bands – Spice Girls!) was that they were carefully constructed
for diversity. One boy was the sensitive type, one was the bad boy, one was the
jock, and so on. Here is how Wikipedia explains it:
Seen as important to a "boy band" group's
commercial success is the group's image, carefully controlled by managing all aspects of
the group's dress, promotional materials (which are frequently supplied to teen magazines), and music videos. The key factor of a boy band
is being trendy. This means that the band conforms to the most recent fashion
and musical trends in the popular music scene. Typically, each member of the
group will have some distinguishing feature and be portrayed as having a
particular personality stereotype, such as "the baby," "the bad
boy," or "the shy one." While managing the portrayal of popular
musicians is as old as popular music, the particular pigeonholing of band members is a
defining characteristic of boy and girl bands.
Our main goal as a group is to convince people, including
policy makers, who don’t normally think about genetic diversity that they should
be doing so. We came up with a list of the benefits that seemed quite clear to
us – but how to convince people who weren’t already converts? I suggest the One
Direction metaphor:
Complementarity: By carefully assembling alternative
stereotypes into the band, the manager seeks to appeal to various “diverse” segments
of teenage girldom. If all of the boys were the same (clones of each other, for
example), then presumably some girls would not be interested and the records
and concerts would make less money. The same concept applies in biodiversity. If
a diversity of phenotypes/genotypes exists in a population, then the population
might use a greater diversity of habitats and thereby increase in total
abundance. Similarly, a more diverse set of genotypes will be more resistant to
the negative effects of diseases, which can’t then evolve to specialize on any
single genotype. A great example is provided by the diversity of rice types in
Chinese agriculture increasing resistance to pathogens (Zhu et al. 2000).
Portfolio effect: The appeal of different boy stereotypes to
young record-buying and concert-going girls presumably varies through time. In
some years, bad boys might be more popular, in other years, the sensitive types
might be more popular. Or perhaps each girls goes through their own preference
arc as they get older – maybe they like the shy one at first, grow into the
cute one, and graduate to the bad boy. By having multiple types in the band,
the overall popularity of the band might remain more consistent/stable through time.
The same effect again applies to biodiversity. If a number of different types
are present in the population and those different types are differentially
susceptible to environmental conditions that vary through time, then a more diverse
group will have greater stability through time. A great example is how the
diversity of sockeye salmon populations in Bristol Bay, Alaska, buffers the
entire production of the bay (and therefore harvesting by humans) in the face
of considerable environmental variation through time (Schindler et al. 2010).
Option values: By having a diversity of boy types in a band,
managers can increase the chances that some future popularity trend will be
captured by existing membership in the band. Perhaps the shy type isn’t popular
now but it will be next year. In biodiversity science, option values can work
something the same. For instance, some types in a population might not be of
much benefit for the population (or humans) now but perhaps they will be under
future environmental change. Or perhaps certain types that aren’t obviously
useful to humans in the present will eventually become so as we better
understand their beneficial properties.
Potential for change: Related to option values – but with a
different emphasis – diversity within a band can increase the potential for
future change. Perhaps the preferences of future pre-teen girls are not well
foreseen by the current stereotypes in the band but one of the key features of
boy bands is that the producers can modify them to try to match changing trends
– and the greater diversity of types to start with the greater the chance they
can be modified into a future preferred type – and the greater the chance the
band (or parts of it) will persist into the future. (Justin Timberlake is still
here.) In biodiversity, a good example is that greater amounts of genetic
diversity in the present will allow more rapid and flexible evolutionary change
in the future, which will aid population persistence (evolutionary rescue!).
Having just closed out two days of discussion, we now have
to write this report – but how to do so? Should we write a nice glossy document
that we hand out to policy makers and publish online, or should we edit a
special issue of a journal, such as Evolutionary Applications. Either approach seems
fine to me but I think that whichever route we go, we should put One Direction
on the cover. Doing so would be certain to reach more people – and what better
way to influence policy makers than by first convincing their daughters that
genetic diversity is the way to go. By virtue of One Direction and N’Sync and
The Backstreet Boys and even the Jackson Five, they are already primed to
accept it.
Given the likely age range of the people you're trying to convince, maybe the Beatles would be a more convincing example? They even provide an example of the idea that genetic diversity within a species (John, Paul, George, Ringo) can provide the basis for adaptive radiation (e.g., the very different solo careers of the four, after disruptive selection broke the band apart :->). :->
ReplyDeleteToo young for the Beatles ;-)
ReplyDeleteThere are only few boy bands in the eighties, but I can think of many boy duos - Wham, Duran Duran, Modern Talking, A-ha, Pet Shop boys....
And in Europe (Germany), there was Alphaville ( a boy band)
The late 80s saw the start of the ew Kids on the Block
Maybe what we really need is the NEXT boy band. Also, Hitoshi informs me that they are not actually coming to Fukuoka - it is merely an advertisement for a cell phone.
ReplyDelete